School of Fine Arts

From left, Eilis Garcia (The Pregnant One), Elizabeth Jebran (The Bleeding One), Adrianna Simmons (The One with Dwindling Dignity), Pearl Matteson (The Young One), and Willow Giannotti-Garlinghouse (The Pious One) in Connecticut Repertory Theatre’s production of ‘If We Were Birds’ by Erin Shields, onstage in the Studio Theatre through April 7. (Gerry Goodstein for UConn)

‘If We Were Birds’ Reflects Long History of Sexual Violence

The Connecticut Repertory Theatre’s modern adaptation of a story from Greek mythology shows that sexual violence has been chronicled for centuries.

'Armchair Gardener,' by Mitch Ryerson (2000), one of the works on display at the Benton Museum in an exhibit inspired by this year's UConn Reads book selection, Game of Thrones. (Courtesy of the artist)

Exploring Furniture as Art

Inspired by this year's UConn Reads book, 'A Game of Thrones,' an exhibition at the Benton Museum presents chairs as sculpture.

From left, Kelly Dennis, professor of art and art history; Megan Scholtz, ’19 (SFA), a photography major; and Deanna LaVoie ’20 (SFA), graphic design major, reviewing an updated biography in preparation for this year’s Art + Feminism Edit-a-thon during a History of Photography class in Oak Hall. (Kenneth Best/UConn Photo)

Women in the Arts: Setting the Record Straight

During a day-long event at two UConn campuses on April 1, students, faculty, and staff edited Wikipedia to ensure the inclusion of female artists.

Preliminary drawing of title page for ‘Where the Wild Things Are’ (New York: Harper & Row, 1963), 26:7. (The Maurice Sendak Collection)

From ‘Wild Horses’ to ‘Wild Things,’ a Window Into Maurice Sendak’s Creative Process

The making of “Where the Wild Things Are” was a journey, and the vivid materials in Sendak’s archive illuminate the level of investment that was required to complete it, write Kate Capshaw and Cora Lynn Deibler of UConn.

Mostafa Analoui, executive director of venture development, speaks with Kashmira Kulkarmi, chief scientist, and Alex Tikhonov, senior scientist at Azitra's technology incubator lab at the Cell and Genome Sciences Building in Farmington on Feb. 8, 2017. (Peter Morenus/UConn Photo)

UConn Venture Development Helps Foster CT Business Opportunities

UConn's Mostafa Analoui sits down with MetroHartford Alliance to discuss how the University's entrepreneurship and venture development programs support business opportunities in the state.

Sweeney Todd

Connecticut Repertory Theatre Announces 2019 Nutmeg Summer Series

The third season under the artistic leadership of three-time Tony Award nominee Mann will include, “Mamma Mia” and “Cabaret.” The Nutmeg Summer Series will run June 6 through July 21.

From left, band members Aoife O’Donovan, Sarah Jarosz, and Sara Watkins. (Photo by Shervin Lainez)

‘I’m With Her’ Band Comes to Jorgensen

I’m With Her is a trio of musicians who are well-known in their own right – Sara Watkins, Sarah Jarosz, and Aoife O’Donovan. They are multi-Grammy Award winners with nine solo recordings, and co-founders of two seminal acoustic bands – Nickel Creek and Crooked Still.

Composer Kenneth Fuchs, professor of music, left, and conductor JoAnn Falletta, after winning a Grammy on Sunday, in the Best Classical Compendium category for the album 'Spiritualist – Concerto for Piano and Orchestra.' (Photo courtesy of Kenneth Fuchs)

Two Faculty Members Bring Home Grammy Awards

UConn faculty members won in the categories of Best Classical Compendium and Best Jazz Instrumental Album.

Shen Xin, Provocation of the Nightingale, 2017, BALTIC Artists’ Award, 2017 video installation view.

Protests, Proclamations, & Celebrations

An ambitious new multimedia exhibition at Contemporary Art Galleries consists of four consecutive two-week solo exhibitions by artists from Asia, Europe, and the U.S.

Esme Roszel '20 (SFA), center, and Felicia Cooper, a first-year MFA student, perform in Matthew Sorenson’s 'Legend of the Snow Queen.' (Lucas Voghell '20 (CLAS)/UConn Photo)

Community Celebrates ‘Legend of the Snow Queen’

UConn graduate student and performance director Matthew Sorenson wrote the play to inspire children to be able to solve problems with compassion and kindness.